Facebook, prime impressioni sul nuovo layout

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Se avete effettuato l’aggiornamento al nuovo profilo Facebook, probabilmente vi sarete già accorti delle tante novità. Invece, se non l’avete ancora fatto perché desiderate conoscere in anticipo quali saranno i cambiamenti prima di procedere, sappiate che il nuovo layout è decisamente più bello e funzionale.

Adesso la pagina dei profili ha un layout molto più simile a un blog che a un social network, facendo sembrare la bacheca molto più ordinata, e migliorandone così l’aspetto estetico.

Nella parte superiore del profilo che fa da intestazione sono riassunte le vostre informazioni ed attività più recenti: dove vivete, dove siete nati, la vostra età, il lavoro attuale e le scuole che avete frequentato. Di seguito trovate le ultime cinque foto in cui siete taggato. Se volete nascondere una o più foto, è sufficiente passarci sopra con il mouse e cliccarla. Più sotto c’è la classica bacheca con gli aggiornamenti di stato, i links, ecc.

Alla vostra sinistra trovate un comodo menu di navigazione che permette di spostarvi dalla bacheca alla pagina delle informazioni, delle foto, delle note, e così via. Più sotto trovate il riquadro degli amici. Alla vostra destra invece c’è l’elenco dei poke e, purtroppo, i banner pubblicitari di Facebook.

Insomma, l’interfaccia di Facebook adesso si avvicina molto ai layout dei blog a tre colonne, quasi a voler significare che i social network stanno rapidamente sostituendosi alle piattaforme web più tradizionali per la comunicazione. Personalmente, trovo la nuova grafica molto piacevole, e apprezzo soprattutto la scomparsa del campo di aggiornamento di status, che ora si può richiamare semplicemente cliccando sul link “status” sotto le info principali.

E’ possibile aggiornare Facebook al nuovo profilo cliccando qui. La procedura guidata è molto semplice, e vi aiuterà a compilare meglio le informazioni personali e i vostri interessi (musica, libri, sport, e così via). E per una volta non dovrete preoccuparvi della vostra privacy, perché, con il passaggio al nuovo profilo, le vostre impostazioni non verranno modificate.

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  35. When Hussain AlMoosawi arrived home, he didn’t recognize anything.

    The Emirati photographer, who had spent eight years studying in Australia, returned to the United Arab Emirates (UAE) in 2013. He’d missed a real estate boom of dizzying proportions: not just new buildings, but new districts.
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    More than that, the buildings of his childhood were disappearing, replaced by shiny new skyscrapers.

    But for AlMoosawi, these international icons were not the urban fabric of his home: it was the oft-overlooked, mid-century office towers and residential blocks squeezed between new highways and overshadowed by luxury developments that felt most familiar.

    It sparked a desire to “understand the urban context of the UAE,” and AlMoosawi set out to meticulously document and capture these underappreciated buildings, “and reimagine the city as if it were the ‘80s, the time when I was born.”
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    Initially focusing on industrial landscapes, temporary structures and air conditioning units, he began to notice symmetry in many of the buildings he was photographing, inspiring his current project: facades.

    “Facades are like a face,” said AlMoosawi. “It’s something that people connect with.”

    His bold, geometric images strip away context to spotlight the character and diversity of everyday buildings. Using a telephoto lens to shoot close-ups from the ground or elevated positions, AlMoosawi carefully frames out distractions and sometimes removes minor obstructions like lampposts in post-processing.

    So far, the 41-year-old, who is editor-in-chief for National Geographic AlArabiya Magazine, has photographed over 600 building?s across the UAE, and next year hopes to complete his collection in Abu Dhabi, where he lives.

    In the long term, he hopes to turn the “lifetime project” into an interactive archive that both preserves urban heritage and invites viewers to rediscover their own city.

    “Our cities aren’t big, in terms of scale, compared to many other cities,” said AlMoosawi. “But then they have a story to tell, they have things between the lines that we don’t see, and my quest is to see these things.”

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