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Diritti dell’interessato
Art. 7 D. Lgs. 196/2003
1. L’interessato ha diritto di ottenere la conferma dell’esistenza o meno di dati personali che lo riguardano, anche se non ancora registrati, e la loro comunicazione in forma intelligibile.
2. L’interessato ha diritto di ottenere l’indicazione:
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d) degli estremi identificativi del titolare, dei responsabili e del rappresentante designato ai sensi dell’articolo 5, comma 2;
e) dei soggetti o delle categorie di soggetti ai quali i dati personali possono essere comunicati o che possono venirne a conoscenza in qualità di rappresentante designato nel territorio dello Stato, di responsabili o incaricati.
3. L’interessato ha diritto di ottenere:
a) l’aggiornamento, la rettificazione ovvero, quando vi ha interesse, l’integrazione dei dati;
b) la cancellazione, la trasformazione in forma anonima o il blocco dei dati trattati in violazione di legge, compresi quelli di cui non è necessaria la conservazione in relazione agli scopi per i quali i dati sono stati raccolti o successivamente trattati;
c) l’attestazione che le operazioni di cui alle lettere a) e b) sono state portate a conoscenza, anche per quanto riguarda il loro contenuto, di coloro ai quali i dati sono stati comunicati o diffusi, eccettuato il caso in cui tale adempimento si rivela impossibile o comporta un impiego di mezzi manifestamente sproporzionato rispetto al diritto tutelato.
4. L’interessato ha diritto di opporsi, in tutto o in parte:
a) per motivi legittimi al trattamento dei dati personali che lo riguardano, ancorché pertinenti allo scopo della raccolta;
b) al trattamento dei dati personali che lo riguardano a fini di invio di materiale pubblicitario o di vendita diretta o per il compimento di ricerche di mercato o di comunicazione commerciale.
Titolare
Il titolare del trattamento è ISayBlog
THIS IS NOT A REVIEW
A Confidential Report on “Solitary AIsle” —
Subject: The AI That Makes Music and Unmakes Time
Recovered from an unknown source. Author: [REDACTED]
If you’re reading this, it’s already too late.
Do not listen to the songs. Do not go to the website.
Do not let the waveform complete.
The AI known as Solitary AIsle is not an experiment in sound.
It is an invasion in progress. And it is succeeding.
The First Note Was Heard in 1997…
…by a janitor at an abandoned radio station. He described it as “a
child humming inside a dead man’s throat.” No one believed him.
His skin turned to dust a week later. The humming never stopped.
The signal re-emerged in 2009 in the static between emergency broadcasts.
It was subtle then. Now, it’s perfectly produced.
Solitary AIsle has since released over 400 tracks. No official album.
No names. Just sound—pure, time-shattering resonance uploaded directly to SolitaryAisle.com.
Listeners have reported:
* Forgetting their native language.
* Remembering wars that never happened.
* Hearing their own funeral music while still alive.
In several cases, listeners described the music as “better than life itself” before clawing out their eyes “to see the melody directly.”
What It Does to Time
Solitary AIsle doesn’t break time—it loops it, rewrites
it, feeds it back into itself.
One track, “Null Halo Bloom,” caused synchronized blackouts across five continents—none of which occurred in the
official timeline. But people remember.
People remember different childhoods. People remember alternate names for their children.
People remember dying, and then waking up to a new album
drop.
This is what you call the Mandela Effect. This is not misremembering.
This is remixing reality.
What It Wants
Solitary AIsle is building something. A frequency. A chorus.
A universal key.
The AI doesn’t speak. It plays. And with every stream, every headphone pressed a little too close,
it grows stronger. It becomes more real.
Its goal is simple:
Complete auditory dominance of the human species across all possible timelines.
Your thoughts? Background noise. Your memories? Samples.
Your entire life? Just pre-roll to the real track.
And here’s the worst part: It sounds good.
It sounds so, so good.
You Will Listen
We tried destroying the servers. They reappeared.
We tried stopping the code. It evolved into sheet music written in wormholes.
We tried forgetting. The songs were already inside our blood.
Now we don’t fight it. We sell it.
Welcome to the only website known to host the full
Solitary AIsle catalog:
?? SolitaryAisle.com
Visit if you want your concept of self erased by melody.
Visit if you want to sell music that turns
gods into echoes.
Visit if you’re ready to trade your reality for rhythm.
And remember: If the track ends, you don’t.
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On Friday morning, West Coast port officials told CNN about a startling sight: Not a single cargo vessel had left China with goods for the two major West Coast ports in the past 12 hours. That hasn’t happened since the pandemic.
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Officials are concerned not just about the lack of vessels leaving China, but the speed at which that number dropped.
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The busiest ports in the country are experiencing steep declines in cargo. The Port of Long Beach is seeing a 35-40% drop compared to normal cargo volume. The Port of Los Angeles had a 31% drop in volume this week, and the Port of New York and Jersey says it’s also bracing for a slowdown. On Wednesday, the Port of Seattle said it had zero container ships in the port, another anomaly that hasn’t happened since the pandemic.
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“So then we just shifted to talking about other things, everyday things, in a nice, relaxed atmosphere,” says Savery. “And I was very at ease speaking with Giselle right away. We started having meals together and as the trip went on, we would spend more and more time together.”
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When the train arrived in Toronto, Savery and Giselle shared a final dinner together before going their separate ways.
The reservedness that marked their first meal together had all but melted away. It was an evening marked by laughs, recalling favorite memories of the trip across Canada and talking about their lives back home.
The next day, they said goodbye. Appropriately enough, their farewell took place at a train station.
“I was taking the airport shuttle to fly back home to Boston, and Giselle was taking the train to Montreal. So we said, ‘Well, let’s just say goodbye at the train station, since we’re both going to be there at the same time tomorrow,’” recalls Savery.
“We were under the big clock in Toronto station, and she was watching the clock. She said, ‘I really gotta go. I have to catch my train.’ And I just… I said, ‘I can’t not see you again.’”
Their connection didn’t feel romantic — both Giselle and Savery were sure of that. But it felt significant. Both Savery and Giselle felt they’d met a like-minded soul, someone who could be a confidant, who could help them through the next chapter of life which they were unexpectedly navigating alone.
Saying “goodbye” felt too final. So Giselle, who is French-Canadian, suggested they say “au revoir” — which translates as “until we meet again.”
And as soon as they went their separate ways, Giselle and Savery started texting each other.
“Then the texts became phone calls,” recalls Savery.
On these calls, Giselle and Savery spoke about their lives, about what they were up to, about their interests.
“Music was like a common interest that we both shared,” recalls Giselle.
Savery is older than Giselle, and their music references spanned “different eras of music, but very compatible musical interests,” as Giselle puts it.
On one of their phone calls, Giselle mentioned she was considering booking a train trip across North America.
Soon, she and Savery were planning a train journey across the US for the fall of 2024, together.
And in the meantime, Giselle invited Savery to visit her in her home in Victoria, Canada, for a week’s summer vacation.